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Study of three texts: one prose, one poetry, and one drama, of which one must be written post-2000. Examination will include an unseen prose extract. Assessed. written exam: 2 hours 30 minutes; open book; 75 marks; 40% of A-level; Questions. Section A: Set texts. One essay question on set text (25 marks) Section B: Contextual linking.

Writing a comparative essay about two poems, seen or unseen, is what students will eventually be assessed on when they come to sit the poetry analysis part of their GCSE Literature in essay. It makes sense, therefore, to get some early practice in and see what the assessment criteria will be asking for in preparation for the day the stakes are high.

This content is for Year Pass - Full Access, Class Pass - Bronze, Class Pass - Silver, Class Pass - Gold, Month Pass - Single Collection (A2-Level Sujatta Bhatt - Selected Poems), and Year Pass - Single Collection (A2-Level Sujatta Bhatt - Selected Poems) members only.

The Sign of Four teaching pack. Written for AQA’s GCSE English Literature paper, this pack takes a detailed look at this 19th century text and features tasks such as text analysis, character profiles, comprehension questions, word maps, Venn diagrams, tension graphs and exam practice questions.

Tackling Unseen poems or prose at A Level Leed's University podcasts placed on The English Faculty. Org These resources are excellent for Edexcel's Unit 3 at A2. Tackling Unseen Material Part 1 AOs 1-2 Tackling Unseen Material Part 2 AOs 1-2 The Great Gatsby and The Roaring Twenties Part 1 Very useful for AO4 The Great Gatsby and The Roaring Twenties Part 2 As above. Posted by Dogberry at 18.

An example of an unseen poetry question can be seen on the following slide. Section B: Unseen Poetry Answer the question in this section. You are advised to spend about 30 minutes on this section. Read the poem below and answer the question that follows. The Song of the Old Mother I rise in the dawn, and I kneel and blow Till the seed of the fire flicker and glow; And then I must scrub and.

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